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随着今年6月1日《富春山居图》之“剩山图”和“无用师卷”在台北的合璧展出,其作者元代大画家黄公望也成为近期传媒关注的焦点人物。黄公望可谓是中国山水画变革的集大成者,他不但当时名列“元四家”之首,且对后世产生巨大影响,成为明清山水画界推崇的宗师。
With the appearance of “Left Mountain Map” and “Useless Volume” of Fuchun Mountain Residence on June 1 this year, the artist Huang Gongwang, the great painter of the Yuan Dynasty, also became the focus of the recent media Focus people. Huang Gongwang can be described as a master of the transformation of Chinese landscape painting. He was not only listed as one of the “Yuan Si Family” at that time, but also had a great influence on later generations and became a master admired by landscape painting circles in Ming and Qing Dynasties.