提出“窗”的主题是从2002年在上海中国画院高级创作研修班毕业展时开始的,之所以选择它并一直画下去即是必然的主观反映又是自然的心理倾诉,现在总结起来至少有三个方面:一、“窗”的概念问题,二、“窗”的精神因素,三、“窗”的艺术形式(1、城市之窗的“复数”累积,2、群体形象的集体陌生与个体形象的孤独表现)。由于对城市建构形式的兴趣以及对人生存于其中的现实关注,仅此从整体的无数个罗列的“窗”发展到对个体之“窗”的绘制。许多情节如敏感、脆弱、隔膜、虚无或更多是冷漠与忧郁, The topic of “Window” was started from the graduation exhibition of senior creative seminar of Shanghai Chinese Painting Institute in 2002. The reason why I chose it and drawn it down is inevitable subjective and natural psychological talk. Now I sum up There are at least three aspects: First, the concept of “window”, second, the “window” spirit factor, three, “window” art form , 2, collective strangers group image and the individual image of the lonely performance). Due to the interest in the form of urban construction and the real concern for the existence of human beings, it is only from the innumerable listed “windows” to the drawing of individual “windows.” Many episodes such as sensitivity, fragility, septum, nothingness or more are indifference and depression,