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长期以来人们对贞观宫廷诗歌的评价有失偏颇。以《文心雕龙·时序》为纲,以《翰林学士集》为例,能够全面客观地分析贞观宫廷诗歌的发展演变及其特色。永明诗风与战争环境赋予了贞观宫廷诗歌清新绮丽与刚健雄壮的诗歌风貌,这与唐太宗的影响一起构筑了贞观宫廷诗风的多姿多彩。一、对贞观宫廷诗歌的偏见受历史原因的影响,对贞观宫廷诗歌乃至初唐诗歌的评价一直有失公允。首先,存在偷换概念的问题,误把“宫廷诗歌”等同于“宫体诗”。“宫体诗
For a long time people’s evaluation of Zhenguan court poetry is biased. Taking ”The Literary Mind and the Carving of Dragons · Timing“ as the key link and taking the ”Collection of Imperial Scholars“ as an example, we can analyze the evolution and characteristics of Zhenguan court poetry comprehensively and objectively. The poems of Yong Ming Poetry and the War gave the fresh and beautiful poems of Zhenguan Court and the vigorous and magnificent poetic features, which together with the influence of Emperor Taizong constructed the colorful poems of Zhenguan court. First, the prejudice to Zhenguan court poetry is influenced by historical reasons, and the evaluation of Zhenguan court poetry and even the early Tang poetry has been unfair. First of all, there is the question of the concept of stealing, mistakenly referring to ”court poetry“ as ”palace poem.“ ”Palace Poetry