在人们关于文学的“传统认识”里 ,文学似乎就从来未与神学发生过什么“往来”。然而确定无疑的是 :在人类文学史上和现下的文学生活中 ,人们又常常对文学保持着一种宗教化的心理敬畏和神学崇拜。正是在这种神圣的敬畏和崇拜的“先决条件”下 ,才有了人类今天的文学生活。针对文学中始终存在的这种“前文学”的“神学现象” ,本文首次对其进行了发生学与历史学的研究。作者认为 :尽管文学只是一种世俗现象 ,但是人类却一直对其保持着神学情怀。人类的这种神学本能不仅直接导致了文学神圣论的发生 ,而且事实上成为了文学发展的基本文化动力。作者在本文中第一次对文学神圣论理论及其两种主要观点进行了批判分析 ,并提出了相应的理论范畴概念。 Literature seems to have never had any “intercourse” with theology in its “traditional knowledge” of literature. However, there is no doubt that in the history of human literature and the present literary life, people often maintain a kind of religious psychological reverence and theological worship to literature. It is in this sacred awe and worship of “preconditions” that we have today’s literary life. In view of the “theological phenomenon” of this kind of “pre-literary” which is always existed in literature, this article first makes a study of genesis and history for it. The author thinks: Although literature is only a secular phenomenon, human beings have always maintained theological feelings about them. This kind of theological instinct of mankind has not only directly led to the occurrence of literary sacred theory, but has in fact become the basic cultural motive force for the development of literature. In this paper, for the first time, the author makes a critical analysis of the theory of holiness of literature and its two main points of view, and puts forward the corresponding concept of theoretical category.