作为一种口头文艺,苏州评弹并没有如同书面文学那样形态稳定的文本。其脚本大多只保留了诗词赋赞和唱篇的内容,有的脚本虽然与演员的实际演出本较为接近,但仍然缺失了大量的现场信息。本文的研究对象,是通过参考音像资 As a verbal literature and art, Suzhou Pingtan does not have the stable form of writing as written literature does. Most of its scripts retain the content of poetry and singing, and some scripts are close to the actors’ actual performance, but they still lack a lot of field information. The research object of this article is through reference to audiovisual resources