游记文学不外时、地、景、情四要。写时地以别景境,描景以悦目赏心,观览有感,缘情而发。不过,同时,同地,同景,在不同的游人眼里,情景又大不相同,这正如饥人得食,愁女赏花,学士咏梅,农夫赞雪一样,各人的心境不同,作品的情致常常大异其趣。游记是文艺性很强的记叙文,所记取的是作者耳闻目睹的事物,不容虚造。从这个意义上说,游记要求真实性。有成就的作家,往往将生活中的真实,提炼、加工变成艺术真实,赋予作品以美学价值。 Traveling literature is no more than a time, place, scene and affection. At the time of writing, the scene was landscaped, the scenery was pleasing to the eye, the view was felt, and the sentiment was sent out. However, at the same time, in the same place, in the same scene, in different visitors, the scenes are very different. This is just like the hungry people have to eat, the prostitutes admire the flowers, the bachelor’s plum blossoms, the farmer like the snow, and each person’s mood is different. The love of works is often very different. Travels is a narrative with a strong literary character. It records what the author has seen and heard, and it cannot be forged. In this sense, travel notes require authenticity. Accomplished writers often transform the real, refining, and processing of their lives into artistic truths and give them aesthetic value.