论文部分内容阅读
苏轼在宋代书法的舞台上是绝对的主角,苏轼亦是开风气之先,使书法传统中任情适性的一个分支变为代表社会审美的主流,苏轼在这一转变中发挥的作用是举世瞩目的。本文试以其作品《东坡二赋帖》为出发点来阐述苏轼后半生的书法风格及其从中体现出的“尚意书风”书学思想。
Su Shi was absolutely the protagonist in the stage of calligraphy in the Song Dynasty. Su Shi was also the first to open the atmosphere, turning a branch of the calligraphic tradition into a mainstream of representing the society’s aesthetic. Su Shi played a leading role in this transformation Spotlight. This paper attempts to elaborate the style of calligraphy of the second half of the Su Shi and the thought of book style of “still writing style” reflected by his work “Dongpo Er Fu Tie”.