陈家刚的《三线》向人们讲述了一个悲凉的故事—一度是理想化身的城市现在已变为废墟。与纪实式的照片有很大的区别,这些图片(均使用大画幅相机拍摄)展现出一种孤独的美丽与悲凉。“她”看起来在那里,带有强烈的怀旧与记忆,跨越了时间与空间,既主观又客观,既真实又虚幻。 Chen’s “Three Lines” tells people a sad story - once the city of idealized avatar has now become a ruin. And documentary photos are very different, these pictures (both with a large format camera) to show a lonely beauty and sadness. “She ” It seems there, with a strong nostalgia and memory, across time and space, both subjective and objective, both real and illusory.