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本文採用拙作《集韻研究概説》(1999)所倡導的內証法和外証法相結合、語言學方法和文獻學方法相結合的《集韻》研究法,力圖把《集韻》研究引向深入,從四個方面集中探討了相關作者刊修《集韻》的作用及其分工的問題:(一)闡明了賈昌朝的重要作用及其《群經音辨》的深刻影響;(二)揭示了《集韻》主編的作用及其表現;(三)從《集韻》改良反切的角度論證了《集韻》作者是按卷、依韻次分工編纂的;(四)從《集韻》顺位集結小韻的角度論證了《集韻》作者是按卷、依韻次分工編纂的。
This paper adopts the research method of “Ji Yun”, a combination of internal and external evidences advocated by “The Survey of Jiyun” (1999), a combination of linguistic method and philological method, trying to lead the study of “Ji Yun” In-depth, from four aspects focused on the relevant author published “Ji Yun” role and division of labor issues: (a) to clarify the important role of Jia Changchao and its “group sounding” a profound impact; (3) From the perspective of improving the anti-tangency of “Ji Yun”, it is demonstrated that the author of Ji Yun is compiled according to volume and according to the sub-division of rhyme; (4) From “Ji Yun” The poetic anthology of “Rhyme” demonstrates that the author of “Ji Yun” is compiled according to volume and according to rhyme.