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英雄神话的年代、贵族精英的年代、地地下精神的年代——在经过了这些不为外人所知的历史阶段之后,中国摇滚乐来到了新的舞台上,而神话,仍然将会持续下去。我们可以这样划分中国摇滚乐的简史:崔健在1987到1990年之间建设了英雄神话,让那些并不喜欢摇滚乐的人、那些被人文主义和理想主义烧得发狂的年轻人爱上了呐喊,并纸上谈兵地讨论和传播起想象中的摇滚乐,这种情况遭到兜头凉水之后,在1993年的唐朝那里回光返照,并通过呼吸等假大空摇滚而贴上了足够的胸毛。英雄情结彻底被现实打碎之后,1994年窦唯、张楚、何勇带来了“新音乐”
The era of heroic myths, the era of aristocratic elites and the age of underground spirit - After these historical stages, which are not known to outsiders, Chinese rock and roll came to a new stage, and the myth will continue. We can draw a brief history of Chinese rock music in this way: Cui Jian built heroes’ myths between 1987 and 1990 so that those who did not like rock and roll, those who were mad by humanism and idealism, fell in love with the cry, Discussing and disseminating imaginative rock music on paper, a situation that, following a drowsiness, was reflected in the Tang Dynasty in 1993 and possessed enough chest hair by breathing a large, empty rock. Heroic complex completely broken by reality, in 1994 Dou Wei, Zhang Chu, He Yong brought a “new music”