我认识的这个胡西来,给我的印象是很西安的。真的很西安。可以说,西安的符号在他身上演绎得很浓烈,浓烈得一塌糊涂。比方说,他是土生土长的西安人,又生活在西安,工作在西安,西安在他身上可以说是打下了深深的烙印。他没有辜负这烙印,用了三十多年的时间,将自己烙成了多产的知名实力派版画家。他用自己独特的眼光,发现、提炼、浓缩着西安的美,所以他手里的刀笔就围着西安转,轻车熟路地表现着,表现得那么入微,那么细里,那么彻骨,那么古老而现代,那么生活化,那么接地气,那么活力四射,那么与时俱进。他用黑白两道,间或有些许灰, Hu Xilai, whom I knew, gave me the impression of being very Xi’an. Really Xi’an. It can be said that the symbol of Xi’an in him was very strong interpretation, a strong mess. For example, he is a native of Xi’an, living in Xi’an, working in Xi’an, Xi’an, on whom he can be said to have been deeply imprinted. He did not live up to this imprint, with more than thirty years, branded itself into a prolific well-known strength to send version of the painter. With his own unique vision, he found, refined and concentrated the beauty of Xi’an, so his knife and pen in his hand turned around in Xi’an. He showed so little, so fine, so thorough, ancient and modern , Then life, so grounded, so energetic, then keep pace with the times. He used black and white, occasionally a little gray,