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当法国知名理论家让·波德里亚(Jean Buadrillard)于1996年首次发表《艺术的共谋》(The Conspiracy of Art)时,他宣称当代艺术没有存在的理由,并由此激怒了国际上的艺术组织。波德里亚虽非艺术爱好者,但也不是艺术的门外汉。1983年,他用英文发表了著作《仿真》(Simulations),这是一篇具有颠覆性的论文,此后便为纽约的艺术界所接纳,并将之置于有国际影响力的杂志《艺术论坛》(Artforum)的显著位置。这本书立刻成为了任何一位自我要求严格的艺术家的必读物——对自
When the famous French theoretician Jean Buadrillard first published “The Conspiracy of Art” in 1996, he declared that there was no reason for contemporary art to exasperate the international Art Organization. Although Baudrillard is not an art lover, it is not an art layman. In 1983, he published his book Simulations in English, a disruptive essay that has since been accepted by the New York arts community and placed in an international influential magazine Art Forum "(Artforum) prominent position. This book immediately became a must-read for any self-demanding artist - right