人的心理活动不是凭空产生的,除了和人物性格有内在联系外,主要与人在某时某地所处的具体情境有直接的关联。在不同的情境中,人会产生不同的动作,包括行为、内心状态、情绪色彩等。至于剧本中角色所处的情境,大多是由剧作家“规定”的,所以称之为“规定情境”。对于表演者来说,把握规定情境是极为重要的,我国清代戏曲理论家李渔所总结的“设身处地,酷肖神情”,说的就是演员应该想象角色生活在规定情境中的内心活动,来确定自 People’s mental activities are not created out of thin air. In addition to being intrinsically linked to the character’s personality, they are mainly directly related to the specific context in which a person is located. In different situations, people can produce different actions, including behavior, inner state, emotional color and so on. As for the role of the script in the situation, mostly by the playwright “rules”, so called “the provisions of the situation.” It is extremely important for the performers to grasp the stipulated situations. As Li Yu, the opera theorist in Qing Dynasty concludes, “putting ourselves in the same place and looking at the cool and the shame” shows that the actors should imagine the inner activities of the characters living in the specified situations to determine the self