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意境作为中国古典文学的一个重要范畴 ,有其独特的艺术魅力。随着时代的发展 ,对于意境应该有新的阐述。首先从本质论角度就意境的理论和语言学渊源可以透视出意境的审美本质不仅是情景交融、主客体的统一 ,而且是一种“对现实回归的超越”。其次从创作论角度谈意境的创造必须注意取境和造境 ,而且要做到含蓄、境生象外。最后从鉴赏论的角度谈意境的审美实现有赖于欣赏者对作品的填补、领悟 ,达到“对现实的超越”和“生命本真的回归”。
As an important category of Chinese classical literature, artistic conception has its unique artistic charm. With the development of the times, there should be new elaboration on the artistic conception. First of all, from the perspective of essentialism, the aesthetic essence of artistic conception can be seen from the theory of conception and the origin of linguistics. It is not only the blending of scenes, the unity of subject and object, but also the transcendence of the return to reality. Second, from the perspective of the theory of creation, the creation of the mood must pay attention to taking the territory and creating the environment. Finally, the aesthetic realization of artistic conception depends on the appreciator’s filling and comprehension of works from the perspective of connoisseurship, reaching the “surpassing of reality” and “the return of the true nature of life”.