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图形-背景理论源于心理学领域,认知语言学家用于研究语言结构的意义,特别是介词的意义。图形-背景理论已经作为基本的认知原则,对于读者在阅读诗歌时的空间建构有不可或缺的作用,尤其是色彩体现出的空间意义。本文以唐诗和意象派诗歌为语料,深入探讨颜色的重复在其中表现的空间意义,进而揭示不同诗学理论影响下所带来的不同创作风格。
Graphic-background theory stems from the field of psychology, and cognitive linguists use it to study the meaning of language structures, especially the meaning of prepositions. Graphic-background theory, as a basic cognitive principle, has an indispensable effect on the reader’s spatial construction of reading poetry, especially the spatial meaning of color. This paper takes the poetry of Tang poetry and imagery as the corpus, explores the spatial significance of the repetition of color in it, and then reveals the different creative styles brought under the influence of different poetic theories.