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这种新的自由和热情奔放感一直延续到60年代初。1961年亨利·曼西尼因为《蒂法尼的早餐》配乐获得双项奥斯卡奖(最佳配乐和最佳歌曲)标志着旧日好莱坞的消逝。杰里·戈德史密斯(惊悚片《阴阳魔界》)和拉洛·史弗林(《碟中碟》)在电视配乐方面的训练为他们的电影生涯铺平了道路。同时,这也是詹姆斯·邦德片的刺耳的配乐与意大利西部片的夸张的音乐的时代。另一个巨大的变化发生在1971年奥斯卡颁奖典礼上,最佳电影歌曲奖给了乡土爵士音乐潮过后、摇滚说唱流行期之前所创作的那首《铁杆神探》的主题歌,这意味着作曲
This new sense of freedom and passion continued until the early 1960s. In 1961, Henry Mancini scored a double Oscar for the “Tiffany’s Breakfast” score (best score and best song) to mark the passing of Hollywood. The training of Jerry Goldsmith (thriller “Yin and Demon”) and Lalo Schleffer (“Disc”) on television soundtracks paved the way for their film career. At the same time, this is also the era of James Bond’s harsh music score and the exaggerated music of the Italian Westerns. Another huge change occurred at the 1971 Academy Awards. The Best Movie Song Award was given to the “The Hardcore God Detective” theme song that was written after the jazz boom and the rock and roll episode. It meant composing.