很长一段时间以来,陈源初的作品都致力于表现整个自然界与人类的共生关系,并且试图通过描绘一些各层次叠加的画面来引起观者对当下整个生态现状的思考。人类文明的发展带来的种种弊病以及人类在自我救赎过程中的一系列挣扎始终是画家乐于探讨的问题。 For a long time, Chen Yuanchu’s works devoted themselves to the symbiotic relationship between nature and mankind, and attempted to draw the viewer’s thinking on the current ecological status by depicting pictures superimposed at various levels. The problems caused by the development of human civilization and the series of human struggles in the process of self-salvation have always been the questions painters are willing to explore.