自《保护非物质文化遗产公约》将非物质文化遗产界定为“不可视、不可触的文化价值”后,“活态”保护的理念便在相关研究与实际保护工作中得到重视。与传统的“死态”——将被保护对象放在博物馆或是美术馆中展示不同,“活态”保护理念强调被保护对象要与人,具体而言,即是一般民众相结合,要在后者的日常生活当中被制作、使用、演绎、消费。如此规定的原因主要在于,非物质文化遗产的价值不在具体器 Since the Convention for the Safeguarding of the Intangible Cultural Heritage defines the intangible cultural heritage as “invisible and untraceable cultural value ”, the notion of “living ” protection has been given priority in the relevant research and actual protection work . Unlike the traditional “deathbed” - the object to be protected is displayed in a museum or art gallery, the concept of “liveness” emphasizes the need to protect the object to be protected, specifically, the general public Combination, to be in the latter’s daily life was made, use, interpretation, consumption. The main reason for this is that the value of intangible cultural heritage is not specific