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中国古代戏曲学是伴随着戏曲的形成和发展而出现的一门新兴学科,它经历了萌芽、雏形、成熟、发展、繁荣、深入、集成、转折、总结与创新等九个发展时期;其理论形态除理论专著外,还有评点、序跋、尺牍、诗词曲等多种类型。其内涵可分为戏曲史论、戏曲创作论、戏曲表演论等三大理论体系;与西方戏剧理论相比,中国古典戏曲理论有着独特的美学特征,即理论内涵上的写意性与表现方法上的形象性。
Ancient Chinese drama theory is a new emerging discipline that has emerged along with the formation and development of traditional opera. It has undergone nine development stages such as sprout, prototype, maturity, development, prosperity, depth, integration, transition, conclusion and innovation. In addition to the theoretical form of monographs, there are comments, preface Postscript, ruler, poetry and other types. Its connotation can be divided into three major theoretical systems: history of opera theory, drama creation theory and drama performance theory. Compared with western drama theory, Chinese classical opera theory has unique aesthetic characteristics, that is, the freehandness and expression of the theory connotation The image of.