使用波普和深沉,是为了尽快切入主题。面对魏久捷的工笔画,观者首先强烈感受到的是图像的熟悉。无论是女明星肖像,还是中国画的网巾水;无论是巴黎红磨坊的康康舞,还是中国民间文化中的地狱变,这些被无处不在的媒体所制造的图像,成为他绘画形象的来源。置身于对图像饥渴的当代,我们制造了图像充盈的现实,也反过来被种种图像所包围和裹挟。作为一个当代艺术家,魏久捷无可逃避地安身子这样的视觉环境中,他并不排斥图像,相 The use of pop and deep, is to cut the theme as soon as possible. In the face of Wei Jijie’s strokes, the viewer first of all strongly felt the image familiarity. Whether it is the portraits of female stars or the scarves of Chinese paintings, whether it is the cancan in the Moulin Rouge in Paris or the hell in Chinese folk culture, these images created by the ubiquitous media become the source of his painting image . In the age of hungering for images, we have created the reality of image filling, which in turn is surrounded by all kinds of images and coerced. As a contemporary artist, Wei Jiujie can not avoid such a visual environment, he does not exclude the image, phase