萨迦班智达·贡嘎坚赞不仅是一位藏传佛教萨迦派通达大小五明的高僧教皇,而且也是一位博学多才的大学者。他一生著述颇丰,涉及对音乐艺术、语言、宗教等多方面知识的真知灼见,其中《乐论》作为第一部西藏音乐作曲理论的著作,对西藏音乐的研究意义重大。本文主要试图从音乐美学的视角解读萨班《乐论》在音乐作曲中体现出来的创作思想。 Sakya Bantida Gongga Jianzan is not only a Tibetan Buddhist Psalm who is famous for his magnanimity, but also an erudite college student. Throughout his life, he has written a wealth of works and is deeply concerned with various aspects of music art, language and religion. His “Music Theory” as the first book on Tibetan music composition theory is of great significance to the study of Tibetan music. This article mainly attempts to interpret the creative thinking of Saban “music theory” reflected in music composition from the perspective of musical aesthetics.