王培森同志为话剧《窦巴兹》所作的布景设计,立意鲜明,构思新颖,是一九八二年首都舞台上比较成功的舞台设计之一。这个戏的布景,是由一块半截幕、四组道具、两块基本平台和一组用于中后景的抽象化框架组成的。此外,还有灯光因素。对于这些实物和灯光的处理,设计者都有自己的想法,而这些想法又都是从对剧本所反映的社会生活的认识中生发出来的,并同导演的构思密切结合,因而达到了较好的演出效果。观众一走进剧场,就可以看到台口挂着一块白色的半截幕。幕上写有两行大字:“诚实、正直的教员窦巴兹,他信奉的道德格言是:‘金钱并不就是幸福。’‘美好的名誊胜于金钱袋。’”《窦巴兹》是四幕讽刺喜剧。在演出过程中,舞台的紫红色大幕始终是开着的。幕与幕的间隔,就用这块写有道德格言的半截幕的降落和升起作为标志。演出告终时,又是这块半截幕送别观众。这种半截面幕,原是德国戏剧家布莱希特所惯用的,人称“布莱希特幕”。现在用之于这出 One of the more successful stage designs of the capital’s stage in 1982, Comrade Wang Pei-sen’s set design for the drama “Dou Bazi” has distinct conceptions and novel conceptions. The scene of the show is composed of a half-curtain, four sets of props, two basic platforms and a set of abstract frameworks for mid-backs. In addition, there are lighting factors. For the treatment of these objects and lights, designers have their own ideas, and these ideas are from the scripts reflect the social life of the germinal and closely integrated with the director’s idea, so as to achieve better The effect of the show. As soon as the audience enters the theater, you can see a white half-curtain hung on the stage. The headline reads: “An honest and upright teacher, Dou Baz, believes in the moral maxim: ’Money is not happiness.’ ’The good name is better than the money bag.’” “Dou Baz” There are four scenes of satirical comedy. During the show, the purple curtain on the stage was always on. The interval between the curtain and the curtain is marked by the landing and ascension of this half-celebrity with a moral maxim. When the performance ended, it was this half-screen bid farewell to the audience. This half-section curtain, originally used by German dramatist Brecht, known as “Brecht curtain.” Now use it for this