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在舒群早年的小说《没有祖国的孩子》和《邻家》中,出现了“高丽人”的形象。东北流亡作家的特殊身份让舒群较之蒋光慈等其他左翼作家与“他者”的距离更为切近,从而得以在“同情”的层面上建构自己的朝鲜叙事。整个叙事过程中,一共出现了三重流亡者——朝鲜流亡者,朝鲜流亡者眼中的东北流亡者,身为流亡者的作者。因而舒群笔下的朝鲜人,不再仅仅是被书写的对象,也是他借以书写内心更深处的流亡伤痛的一个媒介。
In the early years of Shuqun’s novel “No Child of the Motherland” and “Next Home,” the image of “Korean” emerged. The special status of the northeast exiled writers allowed Shu Qun to be closer to other “left-winged” writers such as Jiang Guangci and to the “other” in order to construct his own North Korean narrative at the level of “sympathy.” Throughout the narrative process, a total of three exile - North Korea exile, North Korea exile in the eyes of the Northeast exiles, as exiled author. Therefore, the Koreans under Shu Qun’s penchant for writing are no longer just the objects to be written, but also a medium through which he writes exiled pains deeper into the heart.