自然作为审美对象,其美感的发现与独立经历了漫长的过程。魏晋以来,人们开始自觉地发现“美”的历程。刘勰的《文心雕龙》作为一部“体大而虑周”的文学理论专著,除了细论文学创作与文学批评外,还包括对自然审美的论述。 Natural as an aesthetic object, its aesthetic discovery and independence have gone through a long process. Since the Wei and Jin Dynasties, people began to consciously discover the course of “beauty”. Liu Wen’s “Literary Mind and Carving of Dragons,” as a literary theory monograph titled “Consider Zhou,” includes not only the literary creation and literary criticism, but also the exposition of the natural aesthetic.