“空白”理论深深根植于中华文化的土壤之中,它能使艺术品虚实相映,形神兼备,创造出一种“无画处皆成妙境”的艺术境界,能给人以美的享受,体现了传统文化的审美理想、生命体验和形而上的追求。正如朱光潜先生所说的:“无穷之意达之以有尽之言,所以许多意尽在不言中。”现代国画大师齐白石深得“空白”之味,他 The theory of “blankness” is deeply rooted in the soil of Chinese culture. It can make art objects in a virtual reality and have both forms and spirits, creating an artistic realm where no paintings are a wonderland. People’s enjoyment of beauty reflects the aesthetic ideals, life experiences, and metaphysical pursuits of traditional culture. As Mr. Zhu Guangqian said: “The infinity of meaning is inexhaustible, so many meanings are in silence.” The master of modern Chinese painting Qi Baishi won the taste of “blank”, he