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音乐作为一种表演艺术,在表现方式上与非表演艺术很不相同。音乐表演美学,正是从美学的高度来揭示音乐表演的规律,使表演真正具有再创造的美学价值。回顾中国音乐美学研究,对于音乐创作及音乐欣赏方面的美学探讨较为深入,而对音乐表演美学的研究则相对薄弱。本文对第七届全国音乐美学学术研讨会做了较为深入的学理反思,试图论证在音乐表演美学研究领域中,只有共时性研究的广度延伸和历时性研究的深度挖掘密切结合,才能避免空洞的理论、盲目的实践,才能指引音乐表演进入更高的艺术境界。
As a performance art, music is very different in performance from non-performance art. Aesthetics of musical performance, it is from the height of aesthetics to reveal the law of musical performance, so that the show really has recreated the aesthetic value. Reviewing the study of Chinese music aesthetics has a more in-depth discussion on the aesthetics of music creation and music appreciation, while the study of music performance aesthetics is relatively weak. This article makes a deep theoretical reflection on the Seventh National Symposium on Music Aesthetics and attempts to prove that only the extensive extension of synchronic research and the deep excavation of diachronic studies can avoid the hollowness in the field of aesthetics of musical performance Theory, blind practice, can guide the musical performance into a higher artistic realm.