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从七十年代中期《另一端的旅行》(1975)的创作开始,自然空间在勒克莱齐奥的作品中逐渐成为重要的叙事空间,与前期创作中的现代都市空间相对立。作者秉承了前苏格拉底时期古希腊思想家的思想,将作为原型的自然四元素土、水、火、气与具体的自然如大地、大海、天空等联系起来,构建了诗意的自然空间,在此,人物重新缔结与世界断裂的关系。外在的自然空间与人物内在的精神空间彼此呼应,成为引导人物走向精神启悟的神性空间。
Beginning with the creation of “Traveling from the Other Side” in the mid-1970s (1975), natural space gradually became an important narrative space in the works of Leclazio, as opposed to the modern urban space in the earlier works. By adhering to the ideas of ancient Greek thinkers in the Pre-Socratic era, the author links the natural four-element soil, water, fire and atmosphere as the prototype with the specific nature such as the earth, sea and sky and builds a poetic natural space. In this way, the relationship between people and the world again. The external natural space and the inner spiritual space of the characters echo each other and become the divine space that guides the characters toward spiritual enlightenment.