论文部分内容阅读
在小学美术课本中,中国画占据比较轻的比重,由于其执笔,技法及对水分等掌握的要求都非常高而不能作为主流的绘画手段,使得这独具我们中国特色的技法渐渐淡出人们的生活和视野。我经常带学生外出参加各种各样的美术比赛,发现了这样的普遍现象,赛场上更多出现的绘画形式是彩笔画作品、油画棒作品、或者水粉画作品。中国画的作品少之又少,这不仅让我深思:真正代表我们中国的文化瑰宝的中国画为何越
Chinese primary school textbooks occupy a relatively small proportion of primary school textbooks. Due to their high writing skills, their mastery of water requirements, etc., they can not be regarded as the mainstream painting methods, making this unique technique of Chinese characteristics gradually fade out of people’s lives And vision. I often take students out to participate in a variety of art competitions and found such a common phenomenon. More types of paintings appearing on the arena are painted crayons, oil pastels, or gouache paintings. There are very few works in Chinese painting, which not only makes me ponder over why Chinese paintings truly represent the cultural treasures of our China