斯克里亚宾《e小调前奏曲》第4首属于一部曲式,此曲乐思的展开主要采用模进手法,而模进手法为曲式学中界定作品乐思展开的一个重要语言依据;同时,此曲等和弦转调多次出现,这也是和声中的一个重要技法,因此,笔者将在此曲中重点探析这两点,以深入剖析此曲的和声结构。一、模进技法的贯穿模进在斯克里亚宾《e小调前奏曲》第4首中起着至关重要的作用,全曲由一个模进主题展衍而成,这个模进主题是全曲最核心的一个乐汇,为了探析这种技法笔者提 Scriabin “e minor tune Prelude,” the first four belong to a music style, this music is mainly used to start the mode of approach, and mode of entry for the music in the definition of music works an important language to start ; At the same time, the chord transfer such as the song appeared many times, which is also an important technique of harmony, therefore, I will focus on these two songs to explore these two points to in-depth analysis of the harmony of the song structure. First, the mode of penetration through the mold in Scriabin “e minor tune” the first four plays a crucial role, the whole song by a modeled theme exhibition derived from the mode of this theme is the most complete song One of the core music exchange, in order to explore this technique author mentioned