西方文化日“造物塑型”文化,这是西方人在理论与实践上改造世界的主要方式,故有亚里士多德的四因说之产生。黑格尔则称之为“古希腊精神”(雕刻家把石头雕成艺术品之三联式过程)。西方之真善美三分一体结构皆体现于“造物塑型”之“物”上,故有马克思的“人也按照美的规律来造型”的定义。中国文化绝非造物塑型文化,而是心性文化,它根源于圣人系列之仁心、德性与六经精神中,其“乐”不在“物”上,而在心性境界中。故在中土文化中既没有西方真善美之三分一体结构,更无西方式之美学。若对应求之,则只有“礼—乐”(忧—乐)境界中之“乐”学。美学与乐学之混淆纠缠,困惑了几代学人,至今都仍在混乱中,甚至连中西文化相汇通的一代大师牟宗三先生,也难以厘清其间之种种似是而非的纠葛。但他的真善美分别说与合一说(尤其合一说),却有许多启示与开拓,足可为鉴也。 Western Culture Day “making plastic ” culture, which is the Westerners in the theory and practice of the transformation of the world’s main way, it is Aristotle’s four-say. Hegel called it “the spirit of ancient Greece” (the sculptor carved the stone into a triple work of art). The truthfulness, truthfulness, beauty and unity of the West are all embodied in the “material ” of “creation ”, so the definition of “Marxist ” is also modeled by the law of beauty “. Chinese culture is by no means a plastic sculpture culture, but rather a kind of psychological culture. It is rooted in the benevolence, virtue and the spirit of the six classics of the Sage series, whose ”music“ is not on the ”matter“ . Therefore, in the culture of both China and the earth, there is neither the trishaw structure of western truth, goodness and beauty, nor the western-style aesthetics. If the corresponding demand, then only ”ceremony - music“ (worry - music) in the realm of ”music" learning. A confused confusion of aesthetics and learning, puzzled several generations of scholars, are still in chaos, and even the great master of China and the West come together, Mr. Mou Zongsan, it is difficult to clarify the kinds of plausible disputes. However, his true, benevolent, and beautiful say and combine one (that is to say, one in particular) respectively. However, there are many enlightenments and explorations that are sufficient for the sake of reference.