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“陶瓷绘画艺术语言”这一概念是在现代艺术语境之下对于陶瓷特异性表现的一种理论观的基础上提出的。在这个“水、泥、火”的世界中,虽然陶瓷本身的艺术语言已经足够丰富,但随着时代要求的变化,艺术家还是不断的探索考究,使艺术语言不断地进行创新和转换。这独特的陶瓷艺术语言使我们不断的领略了陶瓷艺术带来的神奇色彩。陶瓷绘画之所以有独特的魅力,呈现出如此丰富的表现形态,与其艺术语言的工艺性、多样性和多变性有着密不可分的联系。
The concept of “ceramic painting art language” is based on a theoretical view of ceramic-specific performance under the context of modern art. In this world of “water, mud and fire”, although the art language of ceramics itself is rich enough, as the demands of the times change, the artists continue to explore and study, making the artistic language constantly innovate and change. This unique ceramic art language allows us to continuously appreciate the magic of ceramic art. The reason why ceramic painting has unique charm, showing such a rich manifestation, is closely related to the artistry, diversity and variety of its artistic language.