瓷刻,就是运用特制的刀具在烧制成的瓷面上进行雕刻的技艺,有人形象地将其比作瓷器上的刺绣。瓷刻所用的特制刀具用高碳钢和金刚钻石制成,顶端呈锥形,便于在坚硬的瓷器表面刻、凿。瓷刻是在破坏中达到艺术造诣的,通过锤击刀凿的变幻,来表现笔墨和情趣神韵,首先,需在白瓷上用墨书写或绘画,再依据瓷器上的墨稿用钻刀刻划凿镌,最后再填色。刻瓷风格素雅,既能体现传统书画艺术风格,又能保持瓷器表面的晶莹光洁,形成独特的艺术效果。早期的瓷刻手法,以单线勾勒为主,虽清秀高雅,但过于简朴,难以表现画面的虚实层次。20世纪70年代起,集国画、版画、油画、素描之长,把中国画讲究的笔墨、气晕、空灵和西洋画讲究的点、线、面、黑、白、灰巧妙地融于瓷刻技法之中, Porcelain, is the use of special tools in the porcelain surface made of carved craft, some vividly compared to the porcelain on the embroidery. Porcelain carved with a special tool made of high-carbon steel and diamond, the top tapered, easy to carve hard porcelain surface, chisel. Porcelain engraving is to achieve the artistic attainments in the destruction, through the change of the hammering chisel, to express pen and ink and taste, first of all, need to write or draw ink on white porcelain, Scratch Juan, and finally fill color. Carved porcelain style and elegance, not only reflect the traditional art style of calligraphy and painting, but also keep the crystal surface of porcelain smooth, forming a unique artistic effect. Early porcelain techniques, with a single outline, although elegant and elegant, but too simple, it is difficult to show the actual level of the picture. Since the 1970s, China has mastered the techniques of porcelain engraving, printmaking, oil painting and sketching in the art of painting, ink, ink, white and gray Among them,