现在再来评论《断背山》和《艺伎回忆录》或许有点老生常谈,但还没有人将它们并置论述。似乎理由不足,因为两者在内容选择、主题构建、叙事形式、影像风格等方面是那样的不同。对于中国观众来说,更加关注的可能是影片之外的许多因素,如演员的选择,影片的获奖等。对于笔者而言,更感兴趣的则是其中透露的国际一体化背景下的影像策略。 Now it's probably a little cliché to comment on Brokeback Mountain and Memoirs of a Geisha, but no one has ever juxtaposed them. There seems to be a lack of reason, as the two are so different in terms of content selection, theme construction, narrative form, and image style. For Chinese audiences, more attention may be given to many factors beyond the film, such as the choice of performers and the winning of the film. What is more interesting to the writer is the disclosed image strategy in the context of international integration.