余秋雨的作品对于偏好文学的国人来说一点都不陌生,从对文化与历史深刻剖析的《文化苦旅》到敢于独步旷野,纵览山河的《行者无疆》,再到揭开自己不为人知的隐痛的“伤痕之作”《借我一生》。他始终用旅行者的身份丈量土地、用文学家的俊逸笔锋描摹山水、用艺术家的审美眼光看待风物、用史学家的严谨审视变迁,从而带给读者全新的人文景观与独到的犀利见解。 Yu’s work is no stranger to people who prefer literature. From his “cultural experience” of profound cultural and historical analysis to his “pioneerlessness” of dwelling on the mountains and rivers, he goes to reveal his unknown Pain of the “scar for ” “by my life.” He always measured the land with the identity of the traveler, tracing the landscape with the gentleman’s brushwork of the writer, viewing the scenery with the artist’s aesthetic eyesight, and using the strict scrutiny and change of the historian to bring readers a completely new cultural landscape and unique and sharp insights.