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唐代佛学为唐代知识精英构筑其思想空间提供了积极的准备。以心为前提的中道观念体系主要影响了人对于世界本质的看法、人趋向彼岸世界的可能性以及人对于彼岸存在的体验等三种命题。唐代书学是中国书法美学之建构期。书法的本质从一种意识形态统治的辅助工具,逐渐改变为一个能够体现造化自然的意义世界整体。唐代书学受到了佛学义理的深度影响.书法艺术作品本体论,书法艺术创作主体论,书法艺术审美体验论,无不沾溉了葱郁的佛学色彩。
Buddhism in the Tang Dynasty provided active preparation for the intellectual elite in the Tang Dynasty to construct their ideological space. The concept of middle school with the heart as the premise mainly affects three kinds of propositions: people’s perception of the essence of the world, the possibility of people going to the other side of the world and their experience of the other side. Calligraphy in the Tang Dynasty was the Construction Period of Chinese Calligraphy Aesthetics. The essence of calligraphy has gradually changed from an auxiliary tool of ideological domination to an overall world of meaning that reflects the nature of nature. The book learning in the Tang Dynasty was deeply influenced by the Buddhist doctrines. The ontology of calligraphic works of art, the subject of calligraphic art, and the aesthetic experience of calligraphic art all irrigated the lush Buddhist color.