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从某种意义来说,中国美术走向繁荣是在1978年改革开放之后。新的生活和社会变化为画家提供了新的素材,画家们重新获得了题材选择的自由。本文以邢庆仁《玫瑰色的回忆》与郭北平《毛主席在延安文艺座谈会上讲话》为例,来分析中国革命历史题材绘画新的表现领域、绘画语言的变化以及诸多艺术家思考的如何突破和创新问题,寻找更具有中国文化精神的绘画表达方式,表现出一种强烈的本土意识和中国本土文化的精神特质,具有独特的中国面貌的革命历史题材绘画。
In a sense, the prosperity of Chinese art went after 1978’s reform and opening up. New life and social changes provide new material for the painters, and painters regain the freedom to choose subjects. This article takes Xing Qingren’s “Rose’s Memory” and Guo Peiping’s “Chairman Mao’s Speech at Yan’an Forum on Literature and Art” as an example to analyze the new performance fields of Chinese revolutionary history subject painting, the change of painting language and how many artists think about how to make breakthroughs. Innovating and looking for a more expressive way of painting with Chinese cultural spirit. This shows a strong sense of local consciousness and the spiritual qualities of Chinese native culture, and a revolutionary historical theme painting with unique Chinese characteristics.