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我在京剧《春草闯堂》中演丑角胡知府,在排演过程中,受到前辈的教诲和启示,很有一些体会。胡知府这个人物很特别,乍看起来好象是个糊涂官,没什么准主意。可是把他的重头戏第三场“公堂”和第四场“行轿”仔细品味一下,就能理解这是个有心计、有见解、哪头风硬往哪头钻的官场老手。就拿“公堂”来说,胡正处于矛盾的焦点:特权人物、吏部尚书之子吴独行凶杀人被薛玫庭打死的事闹到了知府大堂,吴母杨夫人气势汹汹逼胡处死薛公子给儿子报仇;春草抬出老相爷做后台要胡立即释放薛公子。丞相比尚书官大,胡知府改顺从杨夫人为巴结老相爷。此中故事情节和人物关系纷繁复杂,变化
In Peking Opera “Chun Cao Zhuang Tang” I play the clown Hu prefecture, in the rehearsal process, by the teachings and revelations of predecessors, a lot of experience. Hu Zhi Fu this character is very special, at first glance seems to be a confused officer, no quasi-idea. However, the highlight of his third “courtroom” and the fourth “walking sedan” a closer look, you can understand this is a calculated, insightful, which dilemma which drill officialdom. Take “courtroom”, Hu is in a paradoxical focus: the privileged figure, the son of the official Shang Wu bookless killing of people was killed by Xue Meiting rushed to the lobby of the prefect, Mrs. Wu Yang menacing death forced Xue son to revenge on his son ; Spring grass out of the old man to do backstage to immediately release Xue son. Prime Minister compared to Shangshu Guan, Hu Zhifu change obedience to Mrs. Yang Jiejie Lao Xiangye. The storyline and characters in this complex, changing