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现代诗歌抒情文本的魅力来源于形式的搭建,介入其中的是意象关系的形成。本文以穆旦《野兽》为例分析文本的抒情演绎性,深入各个演绎的环节,以新批评的基本方法实施情节还原,从而最大程度地接触抒情主体的情思乃至那些缺乏主动意识却实在的感情片段。
The charm of the lyrical texts of modern poetry originated from the formation of forms. The involvement of these poems is the formation of the imagery relationship. This article takes Mu Dan “Beast” as an example to analyze the lyric deduction of texts, deepens the various deductions, and realizes the reduction with the basic methods of new criticism so as to get in touch with the feelings of the lyric subject to the greatest extent and even the feelings of the lack of active consciousness Fragment.