《苦炼》是法国20世纪著名女作家尤瑟纳尔中期的一部作品,讲述的是身兼医生、炼金师和哲学家三重身份的泽农用尽一生追求真理的故事。该书一经面世即获费米娜奖,堪称其创作巅峰之作。但就以往对该作品的研究来看,国内关于论述该书内容的文献居多,而研究其在中国接受状况的著作却极为罕见。据此,笔者试图结合豆瓣网上中国读者对该作品的评价,运用结合姚斯的接受美学相关理论分析该作品在中国的接受状况。 “Bitterness” is a medium-term work by France’s famous twentieth century writer Yuselene, tells the story of Zeonon, who is a doctor, alchemist and philosopher with all three identities, devoted his whole life to the pursuit of truth. Once published, the book won the Fermina Award, making it the culmination of its creation. However, according to the previous research on this work, most of the domestic literature on the content of the book is very rare, while it is very rare to study its acceptance of the situation in China. Accordingly, the author attempts to combine the evaluation of this work by the Chinese readers of Douban Online and analyzes the acceptability of this work in China according to Yao’s theory of aesthetics of reception.