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“天人合一”作为一种诗化的宇宙意识和生命情调，使中国古代形成了一种独特的审美意识，那就是对“空灵”美的极力追求。就创作对象而言，中国古典艺术讲究以形写神，形神兼备；就创作主体而言，中国古典艺术要求曲达隐写，含蓄蕴藉；就创作境界而言，中国古典艺术要求与道合一，与气同化。本文正是从“天人合一”的文化视角，探讨了中国艺术着意虚无、崇尚空灵的内在机制。
As a kind of poetic cosmic consciousness and life sentiment, “harmony between man and nature” has formed a unique aesthetic awareness in ancient China, that is, the pursuit of “ethereal” beauty. As far as the object of creation is concerned, Chinese classical art pays attention to the writing of God and has both form and spirit. In terms of the subject of creation, classical Chinese art requires that Qida be steganographic and implied. In terms of creation, Chinese classical art requires harmony with Tao First, and gas assimilation. This article is from the cultural perspective of “harmony between man and nature”, and explores the intrinsic mechanism of Chinese art in the void and advocating ethereal.