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2011年11月,苏州博物馆集合国内各家博物馆珍藏成功举办了以“元七君子图”为主题的“历代文人墨竹特展”。这次文人墨竹盛会汇集了文同、苏轼、赵孟頫、柯九思、吴镇、王蒙、李衎、夏昶以及清代诸贤的精品50余件,堪称国内墨竹画作的一次大聚会。透过展览我们发现,即便是那些以山水见长的画家,偶尔戏作的竹画也能让我们叹为观止,就像这幅王蒙的《竹石图轴》。这幅《竹石图轴》(图1)混杂在那些长卷巨幛中,并不起眼,若非仔细探寻,它的命运也许会像往常一样默默无闻。此画亦称《黄鹤山樵竹石游灵岩诗轴》,通高77.2厘米,宽27厘米,纸本墨笔。左上方数枝墨竹飒飒斜出,萧散淡泊。
In November 2011, the collection of various museums in Suzhou Museum was successfully held by the Museum of Fine Arts of various dynasties with the theme of “Gentleman”. The literati ink bamboo event brings together more than 50 pieces of the fine arts of the same text, Su Shi, Zhao Mengfu, Ke Si Si, Wu Zhen, Wang Meng, Li Xun, Xia Chang and the various gentry of the Qing Dynasty, called a large gathering of domestic ink bamboo paintings. Through the exhibition we found that even the most famous landscape painters, bamboo paintings occasionally make us amazing, like this Wang Meng’s “bamboo axis.” This “bamboo figure axis” (Figure 1) mixed in those long scroll giant, and inconspicuous, if not carefully explored, its fate may be unknown as usual. This painting, also known as “Yellow Crane Hill Wood Ling Youyan rock axis”, high 77.2 cm wide, 27 cm wide, paper ink. The number of bamboo shoots whipped out at the top left, Xiao scattered indifferent.