傅抱石:(1904-1965)江西新瑜人,早年留学日本,攻东方美术史学。由于长期对真山真水的体察,画意深邃,章法新颖,善用浓墨,渲染等法,把水、墨、彩融合一体,达到翁韵淋漓,气势磅礴的效果。在传统技法基础上,推陈出新,独树一帜,对其以后的山水画,起了继往开来的作用。其人物画, Fu Baoshi: (1904-1965) Jiangxi Xinyu people, early years to study in Japan, attack Oriental art history. Due to the long-term experience of true mountains and true water, deep and beautiful, the novel method, make good use of thick ink, rendering and other methods, the water, ink, color integration, reached Weng Yun dripping, magnificent effect. On the basis of traditional techniques, innovation, unique, for its future landscape painting, played a role in the future. The figure painting,