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对族群性的研究,少数民族绘画可以提供一种视觉的解读途径。从全国农民画的视野中看,傈僳族农民画留有明显的族群痕迹,其存在于作者创作实践之中并运用艺术手法进行表达。少数民族族群痕迹的集中表达实为族群性的外显,又是农民画主体刻意的建构。这与族群身份意识相关,以此反映了族群特有的文化内涵,区分了其他的族群艺术。本文从傈僳族农民画的演变历史,图像题材、元素的表达层次与表征方式,看族群性在绘画中的形成、构成、表达与建构,分析傈僳族农民画图像如何表现族群性,以及族群性与艺术表达的关系。
Ethnic studies, ethnic painting can provide a visual interpretation of the way. From the perspective of the peasant paintings in the whole country, the Lisu peasant paintings have obvious traces of ethnic groups, which exist in the author’s writing practice and are expressed by artistic means. The concentrated expression of traces of ethnic minorities is actually the manifestation of ethnicity and the deliberate construction of peasant painting. This is related to ethnic identity, which reflects the unique cultural connotation of ethnic groups and distinguishes the other ethnic arts. This paper analyzes the formation, composition, expression and construction of the ethnic group in the painting from the evolutionary history, image theme, expression level and representation of the peasant paintings of the Lisu ethnic group. It analyzes how the images of the Lisu peasant draw images show their ethnicity as well as their ethnicity Relationship with artistic expression.