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从上世纪三十年代到现在,曾经被誉为“民初四大书法家”之一,与吴昌硕、沈曾植、李瑞清齐名的曾熙,一直被冷落,受到艺术史论界不太公允的评议。说曾熙被冷落,是与吴昌硕、沈曾植相比较而言。尤其是吴昌硕,几乎被所有近代美术史论著述称为“古典书画艺术最后一位大师,近代书画艺术的开创者”。诚然,“海上四妖”的艺术成就并非等同齐平,吴昌硕在诗、书、画、印各方面的巨大
From the 1930s to the present, Zeng Xi, once known as one of the “Four Calligraphers in the Early Republican Period,” who became known as Wu Changshuo, Shen Zengzhi and Li Ruiqing, has been neglected and unfairly criticized in the history of art history Comment. To say that Mr CHENG Xi was neglected was compared with Mr WU Chang-shuo and Mr SHI Zen-keng. In particular, Wu Changshuo, almost all the history of modern art is described as “the last master of classical painting and calligraphy, the pioneer of modern painting and calligraphy ”. Admittedly, the artistic achievement of the “Four Monsters of the Sea” is not equal to the same level. Wu Changshuo has great achievements in poetry, calligraphy, painting and printing