论文部分内容阅读
一、西方美学中“形式”概念的多义性界说及其开放性在西方文化中,形式是实体世界的具体化、丰富化、精神化和形式化,是人把握客体中发展自己的自我确证,是客观规律性与主观能动性的统一。波兰美学家塔塔凯维奇在《西方美学概念史》中列举了11种形式涵义,波兰著名现象学美学家英伽登在其力作中《内容和形式之本质的一般问题》中区分了9种。
First, in the Western aesthetics, the “form ” concept of the definition of polysemy and its openness In Western culture, the form is the concrete embodiment of the physical world, enrichment, spiritualization and formalization, is to grasp the development of their own objects Self-confirmation is the unity of objective law and subjective initiative. Polish aestheticist Tartagović enumerated 11 kinds of meanings in “The History of Western Aesthetic Concepts”. The famous phenomenological aestheticist Ingarden in his book “The General Problems of the Essence of Content and Form” distinguishes 9 Species.