《飞天》为金银花根,纯白如玉,质地坚韧。作者在表现这一作品时,力求用巧妙的情节构图,善于捕捉使“她”身躯迎风起舞过程中瞬间变化的动人情态,让静止的“仙女”,翩翩飞舞,徐徐升空。瞧!她头上绾个髻,侧首遥望,双臂舒展,手持“彩练”,展现出“仙女”依恋和向往美好的人间,不忍离别的悲伤神情。她那细长的秀腿蓄满了生机,丰满而又耸隆的乳峰,显示出少女无限的青春活力。《峡江山水》为根艺盆景。是作者从一堆柴垛里拾到的一块雀梅树墩,制成底坐后,又触发产生出了 “Flying” for honeysuckle root, white as jade, tough texture. In the performance of this work, the author strives to compose pictures with ingenious plots and is good at catching the moving state of momentarily changing the body of her in the wind, allowing the still “fairy” to fly and fly slowly. Look at her head 绾 a bun, side first look, arms stretch, hand-held “color training”, showing the “fairy” attachment and longing for a better world, could not bear to leave the sad look. Her slender show full of vitality, plump and towering peak, showing the infinite vitality of young girls. “Xia Jiang landscape” root art bonsai. Is the author picked up from a pile of wood in the pile of bird plum pier, made after the end of sitting, and trigger produced