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我过去曾试图用泼墨的办法去表现长白,在画面的泼墨与物境中纠结了很久。忽而迷恋于技巧和效果的单纯表现,忽而又迷失于传统和造境中个性寻找。这些,我归结为两点:一是缺乏写生中的真实感受,二是对绘画没有建立跨越传统的本质理解和观念重构。2013年后,我去了一次张家界、两次长白山;并特别花费了些时间去接触当代艺术和更
In the past, I tried to express Changbai in an ink-jet manner, tangled in the splash of ink and the scene for a long time. Suddenly infatuated with the simple performance of skills and effects, and suddenly lost in the pursuit of individuality and tradition. These, I boil down to two points: First, the lack of real life experience in painting, the second is not to establish a painting across the traditional understanding and concept of reconstruction. After 2013, I went to Zhangjiajie and Changbai Mountain twice. I spent some time especially on contemporary art and more