一翻开18世纪的美学著作,令人惊奇的是,它大量关注自然中的美、崇高和如画性。(2)它将艺术处理为次要的、派生的而不是主要对象。虽然我们不能说19世纪同样重复了这些重点,但它们的确重现在一些显耀的地方,比如,出现在罗斯金(Ruskin)的《现代画家》(Modern Painters)一书中——这本书可以被不太确切地叫作“如何看待自然并审美地享受它”。然而,在我们这个时代,美学论著几乎都毫无例外地关注艺术而极 As soon as the 18th century aesthetic book was opened, it was surprising that it paid a great deal of attention to the beauty, lofty and picturesque nature of nature. (2) It treats art as a secondary, derived rather than a primary object. Although we can not say that the same emphasis is repeated in the nineteenth century, they do appear in some prominent places, for example, in Ruskin’s book Modern Painters - a book that can be Not so aptly called “How to look at nature and enjoy it aesthetically”. However, in our time, almost all aesthetic treatises focus on the arts without exception