我们正在进入一个人类历史的新时代,需要理解并把世界看作共同的村庄。而我们的艺术要在国际艺坛登堂入室,需要寻找一种能为东西方不同文化背景的观众都能接纳的艺术语言,也需要借助资本的力量了解今日艺术与现实的关联,更需要在文化求异共存中彼此眺望。平行展之外上世纪80年代,中国当代艺术对整个世界没有任何经验认知,急切地寻找血缘的关系,开始走进国际寻求西方的认同。经过威尼斯和卡塞尔近20年的洗礼,逐渐被西方 We are entering a new era of human history that needs to be understood and seen as a common village. Our art needs to find an artistic language that can be accepted by audiences of different cultural backgrounds both east and west. We also need to capitalize on the power of capital to understand the connection between art and reality today, Different coexistence in the look of each other. Parallel Exhibitions In the 1980s, Chinese contemporary art did not have any prior knowledge of the entire world and eagerly sought kinship ties and began to enter the international community to seek identification with the West. After Venice and Kassel nearly 20 years of baptism, gradually by the West