本文从“语类杂糅”这一关键特征出发,指出美国作家多克特罗近作《上帝之城》的文本特征,它虽然表面上杂乱无序,实则有其充满后现代色彩的内在逻辑顺序。作者通过对“上帝之城”纽约复杂而传神的描述,直指人类过去、现在以及未来的历史,其历史建构宏大而深邃,与“新历史主义”思潮息息相通。 This paper starts with the key feature of “language mix ”, and points out the textual features of American writer Doocterol ’s “city of God”. Although it is seemingly disorderly, it has its inherent logic full of postmodernism order. Through a complicated and vivid description of New York City, the author refers directly to the history of mankind’s past, present and future. His history is magnificent and profound, closely interlinked with the “New Historicism.”